Flight of the Nēnē Scarf, Knitscene Accessories 2014

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A very proud day! My pattern for the Nēnē  scarf has been published by Knitscene Accessories, 2014!

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Get it now!

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Light and airy as the feathers that carry them between the islands, the Flight of the Nēnē  scarf (pronounced Nay Nay) is a tribute to the distant descendent of the Canadian Goose, the little known official state bird of Hawaii. Represented in the long continuation of three lace panels are the solitary flocks flying wayward on their journey south. Landing in the newly forming islands of the pacific, foreign, yet still garnering the warmth they sought, long off their trajectory these Geese were forced to make this land their new home. Their history is riddled with the dangers of extinction. Threatened as they are, perhaps they can stand to remind us that we never know the adventures—knitting or otherwise—that that joyously proceed us.

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Pattern Specifications

Sizes: 1 Size
Finished Measurments: 72 inches long x 11 inches wide
Yarn [Schoppel Wolle] [Zauberball] (75% Virgin Wool/25% Nylon; 462 yd [420 m]/100 g):
#[1508, Shadows], 2 skeins

Gauge 25 sts and 29 rows = 4″ in Lace Patt

Tools
Size 3 [3.25 mm] needles


Images of the scarf alone are @2014 Julie LeFrancois Feather Press Knits. All Rights Reserved. Images of Knitscene are ©2014 Interweave Press. All Rights Reserved.

Carousel Pullover, Knitty Spring + Summer 2014

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After waiting not so patiently for months, I feel like I can finally announce one of my favorite things, Spring is Springing! And Knitty.com agrees! Today their new issue went live and we welcome their Spring + Summer 2014 collection which features my design and pattern: Carousel!

A whirling dervish of a knit that is not only worked in the round, Carousel can be worn differently by turning it around and around with a neckline that pirouettes according to your whim.

Worked outwards from a center cast on, Carousel is comprised of 4 cabled panels for the front and back. Once these four panels have grown to the appropriate size, each panel is placed on a holder, and the front and back are joined by uniting the matching pairs. Each of the four parts are again worked in the round to create sleeves, a hem, and a collar any way you spin it.

Perfectly symmetrical when finished, the charts may look complicated but once in the rhythm, Carousel flies off the needles. Lightweight and breezy, this is a merry-go-round of a knit, perfect for warmer days.

A really fun piece to knit, and the color is right on trend for the Spring 2014 season.

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Sweater: Carousel Pullover, by Julie LeFrancois, available for free in the Spring + Summer 2014 issue of Knitty.com

  • Dress: Condesa Maxi Dress, Anthropologie. No longer available.
  • Cuff: Anthropologie. No longer available.
  • Shoes: Nine West platform sandals, Similar here

Hothouse Flower. A Collection of Knitwear, Inspired

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I find it is so hard to find knitwear patterns that appeal to my personal style. I don’t think I am in the same camp as most knitters as I really like things that are more bold and fashion-forward. I am certainly not trying to say that knitters aren’t bold, and can’t be fashion forward, but I feel like it is very hard to find patterns where the samples are done in bright, graphic colors. Where is the bright pink? And when I finally find it, why is it so frumpy? Where is the edge? Where is the appeal for a fashionista?

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While I am not so interested in reading about Dakota Johnson, while flipping through the pages of my March 2014 Elle magazine, these amazing textural pastels did catch my eye. So much so that I decided to put together a little collection of 12 knitting patterns that I feel are right on-trend with this photo-spread for spring. I think that Elle really nailed this trend. Their marketing copy states

Go strong in spring’s saturated pastel palette-texturally rich pilings of lace, feathers, and fur are in the pink.

Oh my. The colors, THOSE TEXTURES. They leave me wanting more, more, more.

Then, just this morning I got an email from a personal fav, Alice + Oliva, with another spot on look at this spring trend. Less pink, more navy but carried by saturated pastels and rich textures.

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In both the Hothouse Flower spread in Elle Magazine, and the email from Alice and Olivia, I think that there is an obscene amount of beauty in the details, specifically the textures. The thoughtful combinations of saturated pastels–who ever knew there was such a thing–feel so right for spring, when we’re all looking for a fresh start. But fewer layers for spring don’t have to leave you flat.

Below is my collection of knitwear patters as a response to this trend I hope will never end. Some of the pieces are more fashion forward–i wish there were more, but they are so hard to din– some more comfortable. But they are all spring minded, playful, textural, but most importantly, they are all things that I want to make.

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  1. Rasta Neckwarmer by Breean Elyse Miller
  2. Doe Hare Sweater by Anna Bell
  3. Grenadine Tunic by Michaela Moores
  4. Bobble and Stripe Jumper by Emma Wright
  5. Mrs. Jekyll & Little Hyde by La Maison Rililie
  6. Stonecutter Sweater by Amy Miller
  7. Spring Green Cloche by ME! Julie LeFrancois
  8. Hydra by Martin Storey
  9. Gradient Pullover by Amy Miller
  10. Regatta Tee by Olga Casey
  11. Santorini by Marie Wallin
  12. Cowboy Cowl from Art Fiber Design

Images from Hothouse Flower from Elle Magazine. Image of email from Alice and Olivia.

Lazulum, Knitscene 2014, and a Bias to change …

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It is official.

My first pattern– my Lazulum Shell–has been published in Knitscene Spring 2014, on shelves now. My first print magazine, and I could not be more proud!

I received my copy of Knitscene Spring 2014 in the mail on Saturday and I started jumping up and down, squealing with glee. I showed it to my husband and he is happy for me, but I feel like he maybe didn’t quite get it. This is a big deal. Well, to me it is, and really that is all that matters.

This piece was a beast to develop. But the things that are simple are never easy. The Center panel is knit straight with shaping. The side panels are knit on the bias, also with shaping. Here’s the kicker: Your gauge changes when knitting straight versus on the bias.

Just pause for a moment and think about that … This means that there is no physical way to knit this in two pieces (front and back) without extreme and crazy detailed directions for each specific size.

The yarn was also new for me, Filatura Di Crosa Brilla, in radiant Royal Blue. Swatch after swatch, panel after panel I knit, finding trouble. At first I thought it was the yarn that was doing funny things, playing tricks like the clever fox. So I tried with other materials, and the gauge still changed, but not in consistent ways. I knit this tank top 5 different times to work out all of the details of the shaping, the gauges, and the pattern. I worked with Interweave’s wonderful pattern editors, to make sure that it would be a good experience for the knitter.

Diligently, patiently at first, less patient in the middle, fairly frantic, heartbroken, then more patient at the end, I worked. Finally I found the solution. The details flowed like water, instead of trying to battle fire in a drought ridden meadow of summer grass. Long, but simple. The pattern was finished.

Originally this piece was named the Slantwise Shell, which I think is an appropriate name given the development process and as a symbol of how my life has been for the past long while: Nothing easy, nothing is straightforward, and it is going to take a lot of work to create an effortless solution. But like with Lazulum, I got there. I’m getting there.

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I’ve been long absent from my blog and things need to change, I need change. So it is time think about things on the bias. Things change on the bias. I have been diligently working–just as hard as I did to create an easy to follow pattern for Lazulum–on making changes to my blog.

I really miss this, the writing, philosophizing, and fashion. I’ve missed posting my creativity, thoughts, knitting, and I’ve missed sewing. I haven’t sewn in almost a year.

Changes are coming, they’re already on their way flying in on a western wind, I feel bias to change. I must, I need to.

This is a big, big moment for me, and I want to embrace it. My first pattern published in print. Wow. I feel honored to have my work included in my favorite knitting magazine. I don’t think that words can articulate just how proud I feel, how lucky. At long last it is here and in beautiful blue, my favorite color!

Studio images © Knitscene/Harper Point Photography